Feet of Thunder Hands of Clay
Saturday, September 19, 2020
RUTH HAS LEFT THE SUPREME COURT...FOR THE NEXT PLATEAU
RUTH HAS LEFT ME
IT FEELS LIKE A LIGHT
IS SOMEWHERE I CAN'T FIND
IN THIS TUNNELL OF WHAT LIFE IS
I TOO HAVE TRAVELLED LONG YEARS
AS SHE DID
WITHOUT HER
IS THERE ONLY DARKNESS NOW
OR DID SHE PASS THE CANDLE TO ME
TO DO AND BE AS COURAGEOUS AS SHE
IN HER MOMENTS OF SADNESS
SHE KEPT HER WICK LIT
NEVER LET IT BURN OUT
WHAT LOVE KEPT HER RETURNING
WHEN ALL AROUND WAS DARKNESS
WHERE LOSS WAS HER CONSTANT
SHE KEPT SEEING WHAT WAS NEEDED
BEYOND HER OWN COMFORT
HER JOYS AND SORROWS
WERE NOT WHAT SUSTAINED HER
BUT LIKE THE GREAT MOTHER
SHE WAS LIT WITH HER PASSION
JUSTICE FOR EACH ONE OF US
IS WHAT KEPT HER CANDLE LIT
I WILL TAKE IT FROM HER
INSPIRED TO NOT DESPAIR
OF ANY PERSONAL LOSS OR CONFUSION
BUT DRESS IN MY BEST EVERY MORNING
AND SHOW UP TO THIS LIFE
THAT'S NEEDS ME TO ILLUMINATE IT
WITH MY CREATIVITY VITALITY AND LOVE
Saturday, September 12, 2020
Thursday, September 3, 2020
Ennui in Tap Shoes
Tap Dance is vigorous. Lassitude is the antithesis of the vigor involved even in executing a flap. Ennui mixed with the silence that is provoking the muse, stares out in space at the sparse but spirit filled garden absorbing the sun on my rocky knoll. I promised that today i would put on my tap shoes. I will after i have fixed my gaze on the bees buzzing the flowers of my oregano plant. (Time passes) Oh a butterfly. Which butterfly is it. It is orange, and then another one. That picks up the pace a little. A breeze. Some leaves wave at me. We are so intimate, the leaves and me. I will miss them when they are gone to bronze and dropped to mulch. A deep breath. Climb the stairs to my studio. My dance studio, which is also my music studio where I practice playing Bach, Chopin and Charlie Parker on my concertina, and the piano where I write music, with one hand at a time. And it now holds the desk that holds my two computors, and all the little books that secret away my passwords, lost in pages between new poems, zoom addresses, notes on my new novel, notes on my new memoir on PRACTICE. Oh yes, that is it my promise. Practice...shoes on.
I will soon be 83, on September 7th. When I practice now, I get migraines. So softly I proceed. Ahhh the shuffle, the cramp roll, the riff and all my crawls. Surprisingly the feet remember what my mind forgets. i am grateful but I must not go on too long. That is the saddest part. Now that I have started i want to continue, on and on and on, vigorously. But I must not. If I continue too long, tonight my legs will cramp just as I fall asleep. And soon I will have to wonder what these migraines mean. Do they mean no more cramp rolls, where the heels drop deeply into a bass sound, no more bringing the bass notes up from the heels, creating interesting syncopations when I am playing 8th notes or 8th note triplets. it is a cruel irony that articulation is so clear and precise and that even tonality brings music to my ears, that I can not sustain this blissful activity. Will i get stronger if I dance just a little every day. Will I be able to dance longer? If...that very big if, if every day I can climb the stairs away from the ennui that waits for the world to begin again and the wondering will i begin again with the world or will it be too late, because ennui ate my tap shoes, and old age settled me into my soft comfortable slippers, content to write the next novel and conjour up a new pot. 78 years in Tap shoes hardly seems long enough.
A NOVELLA & CREATIVE MEMOIR,
BY BRENDA BUFALINO
Published by Outskirts Press, available on Amazon, Kindle, bbufalino.com and your favorite book store.
Soon to be released on Audible
WRITTEN AND NARRATED BY BRENDA BUFALINO
VOCALIST...Alice Baum
EXECUTIVE PRODUCER...Donna Starobin
PRODUCER, EDITOR...MICHAEL STAROBIN
This novella was inspired by a question; Why did my Grandmother, Lena Strickland, a stoic Baptist New Englander, insist, and I do mean insist, that her two daughters, my mother and aunt, and her granddaughter, become performing artists? This question led me on a search for her past. The past I thought I knew, was not her past and not her truth. The big family that sat around the dinner table every Sunday, that I thought was hers was not. What happened to her family: her mother, her father, her past? They indeed held the key. The treasure could not be found. Only the barest details, were available. I asked too late. So I had to create, a past that would set the stage for the stages my Grandmother placed us upon. Beginning in Wells, Maine, 1878.
Review by Mikhail Horowitz, Performance poet, social commentator, author.
"In addition to being a captivating transgenerational sage. 'Song of the Split Elm,' also grapples with issues such as women's rights, artistic freedom, and the reverent, symbiotic way that indigenous peoples relate to the earth, as opposed to the destructive, proprietary way of the dominant Culture. The characters are fully alive on the page, their stories engaging and the writing at times intensely lyrical."
Saturday, June 27, 2020
GREEN
GREEN
green
surrounded in
my whole world
green
rich in leaves and grass
I taste green
smell green
sit in it
breathe it in
all my eyes
see and hold
eyes are arms
clinging to green
absorbing green
healing in it
bathing in a sea of green
liquid green
running over
and in me
turning my skin
my teeth my life
to green
I become a leaf
to be green
green
surrounded in
my whole world
green
rich in leaves and grass
I taste green
smell green
sit in it
breathe it in
all my eyes
see and hold
eyes are arms
clinging to green
absorbing green
healing in it
bathing in a sea of green
liquid green
running over
and in me
turning my skin
my teeth my life
to green
I become a leaf
to be green
NOT THIS
suspended
life beside itself
says not it
this
but what is this
can't be named
a feeling that this
is not it
come stand with me then
and show me
what it is
where it is
if it's not this
draw its shape on the air
put a dress on it
what's on me
is not it
there is something else
this is not it
it is something big
and what matters
I wish to occupy it
if I can catch
sight of it
does this
that I always thought was it
have to be destroyed
before the shape
that's really it
can be defined
taking the leap
saying goodbye
to the confines of this
because this
is not it
.......................
Thursday, August 8, 2013
Hurricane or tornado twists
then lightening
cracks and splits
the forest's mighty oaks
rain soaks the shallow roots
spread out like giant fingers
on such little earth
it takes your breath away
to see the fragile tendrils
holding on for their dear life
maples, ash, white pines fallen
what's left of them have all my heart
in their decay unfolding
folding back to earth
then lightening
cracks and splits
the forest's mighty oaks
rain soaks the shallow roots
spread out like giant fingers
on such little earth
it takes your breath away
to see the fragile tendrils
holding on for their dear life
maples, ash, white pines fallen
what's left of them have all my heart
in their decay unfolding
folding back to earth
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